Since the year one thousand, and during two centuries, Europe got draped with a white mantle of chapels, churches and cathedrals.

From 11th to 13th centuries, light and abundance have flourished in the West. On all roads, companions were going from one building site to another, making their tour of France, or even of Europe. The gendarmes were soldier-monks, dressed in coats of mails and white coats, riding quick horses. They headed up trafic police, emergencies, accomodation for pilgrims and various bank services, facing all these sites' enormous expenses. They were called the Knights Templars.Click +

The secret of their success, unique in recorded history, is probably explained by the modernity and the relevance of their approach.

But we believe the real key to this success was a magical one : their multimillenary control of sacred construction. What is it?

The Earth's rotation produces on its surface two networks of energy grid, the Hartmann and the Curry grids,See page and large energy rivers, the sacred streams. A perfect knowledge of these subtle energiesSee page allowed companions builders to erect monuments free from any harm. They had noted that cosmo-telluric activity generated harmful residues, a mesh that ensnared us in the matter, a real trapping net. To protect the faithful, Middle Ages' builders managed to enlarge the meshes.

If we believe Bonvin, they treated these energies in two different ways, called the Romanesque style and the Gothic style.

The word 'style' must not mislead readers: the difference between Romanesque and Gothic is not limited to architectural or aesthetic differences; that's the treatment of geo-energySee page which is different. In Romanesque churches, H networks are driven back into the thick walls and the nave is purged of them. In Gothic cathedrals, the networks are sucked by the vault and crumbled by bursters: rosettes, sculptures, capitals or gargoyles. In both cases, the faithful is free from any harm.

More than others, these places are propitious to spiritual growth. Out of any religious consideration, a pure architecture's effect. Gothic and Romanesque people participated often together to the realization of some major buildings. The Gothics invented the rib and the rib vault, what allowed them to lift the nave's roof higer and higher. But they did not study the particular energies of caves and crypts, vaultsThe vault, by the tension of stones it supports, is the magical place par excellence. The french language has preserved the trace: a vaukt is "une voûte" and a bewitched one, "un envoûté" suffering the terrible tension of thousands of tons of cut stones they support.

They left that specialty to Romanesques. Thus, even in Gothic cathedrals, the crypts are Romanesque. To get rid of it and create conditions propitious to spiritual elevation, the cathedrals' builders imagined Faraday cages,where living stonesIn the sacred building, the stones are opposite polarity to transmit the current, or same polarity to dilute it. See page transmit and destroy any harmful radiation. In the sacred construction, each architectural element has its geobiological function: nothing is only decorative.Click > Both art and science, this knowledge went back to Megalithic.See page 

Medieval masons knew it so well that they carefully built churches and cathedrals on the high places of megalithism. Thus, Notre-Dame du Puy or Notre-Dame de ChartresSee page are built on dolmens. As most medieval cathedrals. Besides, this is not an uncommon thing. At the world's four corners, religious buildings are systematically rebuilt on the ruins of previous temples, regardless of religion. It is not about blind imitation. The sacred placesCastaneda would say: power places. They are the same. are obvious for sensitive people of all time.

Clairvoyants always perceived the aura of people and places, and chose the suitable place to built any house. Nowadays, instrumentsSee page can measure these subtle energies. So they allow to determine the place for building houses, and thus to avoid future inconveniences. Of course, we all have fine collection of self instruments that allow us to feel these energies. But our body is no longer accustomed to this degree of finesse, because of allopathic. How to recover this lost ability?See page

On the other hand, how is it that the sacred building appears suddenly in the 11th century, without visible origin? Why, all of a sudden, after centuries of apparent barbarism, why this architecture's revival from both southern and northern Europe : the Romanesque art in the south, and the Germanic art in the north. After a long hiatus, everything seems to take its course, just like in the good old days of Imperial Rome, with a novelty: the Gothic as well as the Romanesque builders  mastered a new technique, unknown before them:

the art of the sacred building.

In fact, it is not a discovery, but a resurgence. The sacred art of the builders originates in our distant roots, the more ancient and more Western than the Celts themselves, among the first masters of Ireland, the Tuatha de Danann,Go to page that were of Elves, not men.

Coincidentally, most of the foremen were Irish cathedrals. They got the lightning power of the megaliths.Go to page Through them, the descent has been passed, a contact was renewed.

And sacred Dolmens were carefully preserved in the cathedral's crypts. The thing is not uncommon. Around the world, religious buildings were systematically rebuilt on the ruins of a former temple, regardless of religion.

It is not blind imitation.

Sacred placesCastaneda would say, places of power. These are the same. are obvious to the sensitive of all time. The lights can perceive the aura of people and places and to choose suitable places.

Today, we got instruments to measure this subtle energy.Go to L'oeil du labyrinthe Thus we are able to fix the place for a house to be built, in order to avoid future inconveniences.