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All ancient traditions<\/a> give prominence to this theme, the sudden eruption of cosmic chaos. Since immemorial times reigned the cosmic order and suddenly… chaos!! If the phenomenon described is always the same, the causes invoked are sometimes very graphic. And always far from the incredible truth.<\/span><\/p>\n <\/p>\n It is each time about a planetary disorder, stars that fall, and the waters that come out of their bed. But the very graphic causes are often different. Centuries of legends and inspired storytellers have gradually veiled the historical truth — if there is one at all. Or that there is only ONE…<\/p>\n In Norse mythology, the gods chained the Wolf Fenrir to the axis of the world, the ash Yggdrasil. Or Fenrir eventually broke his ties: “The Wolf Fenrir moved and the world trembled. The ash Yggdrasil was shaken, from its roots to its highest branches. The mountains collapsed or split from top to bottom… The earth began to lose its shape. Soon the stars drifted into the sky.<\/em>” (source)<\/a>Graham Hancock, L’empreinte des dieux, Pygmalion, 1995<\/span><\/p>\n As soon as the axis of the world is shaken, everything goes wrong: it\u2019s the apocalypse.<\/strong><\/p>\n <\/p>\n The form matters less than the substance. The same Norse legends tell us how the Ases, gods of Walhalla, flying to the rescue of order, take part in the last battle of the gods: “There are five hundred and forty gates in the walls of Walhalla; eight hundred fighters exit each gate to wage battle against the Wolf.” (Graham Hancock)<\/a>The Footprint of the Gods, 1995\u00a0<\/span><\/p>\n How many hunters for a wolf! Definitely this Fenrir does not make you laugh. He is nothing like any other wolves, one of those famelian wolves that hunger brings out of the woods. If he is nothing like a wolf, it is not one.<\/p>\n In fact, the number of combatants, 432,000, directly refers to precession, as shown by Hancock. Mythologist J. Sellers<\/a>quoted by Graham Hancock, op. cit. p.254<\/span> detected the presence of most of these precessional figures in the myth of Osiris.<\/a>see below<\/span> Following him, Graham Hancock lists traditions from several continents also containing these figures, and always in connection with a planetary shock, followed by a deluge. The repetition of these figures cannot be the result of chance.\u00a0<\/p>\n And the ancients before antiquity were not ignorant of mathematics, astronomy, astrophysics, space travel… They possessed advanced technology from which we are still very far. Very. Light years away.\u00a0<\/p>\n <\/p>\n <\/p>\n <\/p>\n Fenrir is not funny and he is not a wolf. That\u2019s a good thing to say. Now, what does Yggdrasil mean? Let\u2019s ask those who know: Yggdrasil would mean ”runner of the god Odin’ (from Yggr: formidable and dull: to ride) or ‘terrifying horse’<\/em><\/span>, Alain Aillet tells me in a private letter. This is his first appearance in these pages, which dates from 2009, seventeen years ago … Since then, the devoted reader has become a regular author :<\/p>\n <\/p>\n <\/p>\n It may be that there is a confusion between Yggdrasil and Sleipnir, the eight-legged horse on which Odin rides, capable of moving over the sea as well as in the air. Sleipnir can identify with “slippen” in German, which means to glide on the wing, and in Old Norse means “glider” or “one that glides quickly”. Odin uses it mainly to cross the bifr\u00f6st bridge, the ‘scintillating path’, which acts as a bridge between the Earth and the Heavens.<\/em><\/span><\/p>\n I agree. Whether it is Sleipnir or Yggdrasil, the Odin runners are mechanical, supersonic, aeronautical, astronautic mounts. We see the truth emerging behind the oral distortions because the original names have been preserved, and Alain Aillet is a good enough Germanist to translate them. Thank you to him once again.<\/p>\n The original names have been kept with no concern for consistency. How could an ash be a terrifying horse? He is no more ash than Fenrir is wolf.<\/p>\n Myths and legends need to be examined under a microscope. The truth is hidden inside, it\u2019s up to you not to stay outside.\u00a0<\/p>\n <\/p>\n Through this volatile data, the ancient gods send us a coded message to decipher. The stake is the survival of the species.\u00a0<\/p>\n “Among the multitude of gods worshipped by the Mayans, there were four whom they called Bacab. It was, they say, four brothers posted by God, when he created the world, at its four corners to support the heavens and prevent them from falling. They also say that these Bacabs fled when the world was destroyed by a flood.<\/em><\/span>” (D. de Landa)<\/a>Yucatan before and after the Conquest, Mexico, 1990, cit\u00e9 par Graham Hancock, op.cit.<\/span><\/p>\n Hancock adds that bas-reliefs at Chichen-Itza undoubtedly represent the Bacabs in the guise of bearded Europeans<\/em>.<\/span><\/p>\n *<\/p>\n Well, I don\u2019t know where Graham Hancock went to look for bearded Europeans. I have viewed dozens of Mexican bas-reliefs, from Chichen-Itza and elsewhere. In spite of all the effort to dissect them, I couldn\u2019t see anything except Indios.<\/p>\n I myself went there several times in astral, at the very time of the construction of the pyramids, I do not remember at all these bearded European bacabs<\/em>. Believe without believing…<\/a><\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n My conclusion is that these bas-reliefs were sculpted long after the departure of the builders, the former gods<\/a>, terraformers<\/a> of this planet<\/a> and the creators of our physical bodies.<\/p>\n The Indios sculptors depicted themselves in their ceremonial clothing, dancing sacred rhythms and miming ancestral beliefs. Perhaps they had forgotten them, or else they preferred not to invoke by the image these tyrants who had once enslaved them…<\/p>\n Too bad. If the Indios from Chichen Itza had really represented the previous gods, they would not have been discovered with bearded Europeans.<\/p>\n But negroid supermen.<\/strong><\/span> <\/p>\n <\/p>\n <\/p>\n The flood that scared away the Bacabs was triggered by the god Chac, also named Telchak or Tlaloc, god of lightning and rain. <\/em><\/span>Chac, also spelled Chaac, or Chaahk, is the god of rain of the Mayans and Toltecs and one of the main deities of the pantheon : as important, if not more, than Itzamna. Nevertheless, by association of ideas, he was also the god of wind, thunder and lightning.<\/em><\/span><\/p>\n Indeed, with his lightning axe, Chac hits the clouds and triggers thunder and rain. By extension, he was considered the god of fertility and agriculture and in a broader sense that of growth and germination and finally as the god of corn seeds. <\/em><\/span>Despite his beneficial role, his iconographic representations have a rather formidable aspect. <\/em><\/span><\/p>\n Thus, he is generally represented with a human body covered with reptile scales and with a non-human head, provided with fangs, a long nose, a hanging tongue and kinds of spirals under the eyes similar to tears.<\/em> <\/span>(Stargate Fusion)<\/a>https:\/\/www.stargate-fusion.com\/fiches\/5119-chac-telchac.html<\/span><\/p>\n No, Chac \/ Tlaloc was not the god of lightning ‘by association of ideas’<\/em>. His very first role was indeed to launch the lightning. Tlaloc could mobilize the fury of the sky to strike what he wanted, where he wanted. The Masters of Lightning was the first name of this site, from 2008 to 2012. Tell you if I have studied this phenomenon closely!<\/p>\n <\/p>\n <\/p>\n <\/p>\n The myth of the Bacabs tells us the same story as the wolf Fenrir, or the legend of Atlas. Planetary disaster. End of the world or end of a world. It must be said that this upheaval has really changed the conditions of life on earth.<\/p>\n In the past, the Earth\u2019s axis was perpendicular to the ecliptic<\/a>, and the plane of the ecliptic coincided with the equator. There was therefore only one season per latitude: winter near the poles, summer under the equator, autumn and spring in the intermediate zones. It was the time of order.<\/p>\n In our latitudes, the cycle of the seasons gives way to an eternal spring. It was a reign of abundance and perfection that left the memory of a golden age: the garden of eden<\/a> omnipresent in myths.<\/p>\n During the golden age, the celestial order ruled so well that the ellipse described by the earth around the sun gained in regularity, losing its usual eccentricity.\u00a0 The year then lasted three hundred and sixty days, it was divided into twelve months of thirty days, an exact replica of the Great Year.\u00a0<\/p>\n Planetary legends tell us about this time as the age when gods lived among men. Is it an image? Is it reality? The Sumerians evoke an era of abundance and describe the true garden of Eden.<\/p>\n <\/p>\n But something, an astral shock no doubt, broke down the celestial mechanics and put the Bacabs to flight, so Fenrir shook Yggdrasil, a nuclear conflict of the former gods diverted from the axis of the world. No more laughing, the Wolf.<\/p>\n The consequence was an imbalance of the earth, which then made a 180\u00b0, the great instantaneous shift, the northern hemisphere becoming the southern hemisphere and vice versa.<\/p>\n That is why the earth seemed to turn in the other direction, and it would also explain why the sun now rose in the east, as Ovid says in his description of the myth of Phaeton. QED.<\/p>\n <\/p>\n Admittedly. It is true that profound upheavals have altered the foundation and orbit of our planet. If the ash tree Yggdrasil is indeed the axis of the world, it is true that the axis of the world was shaken. It tilted by more than 20\u00b0 on the ecliptic plane, and the stars suddenly changed place: humans saw them fall, even though it was the earth that was spinning.<\/p>\n We see at work the mechanisms of ancient myth: an attempt to put into simple words inexplicable events. Behind this amusing people, a more prosaic reality has been hidden for millennia.<\/p>\n Here are the facts: The astronaut gods had been on earth for ages when the time came to leave. Atlas was the captain and main pilot of an Atlantean ship, Atlantis.\u00a0<\/p>\n Captain Atlas made a serious pilot error when he wanted to pull the ship out of the Atlantic Ocean where it had been docked, like an artificial island, since time immemorial.<\/p>\n The Atlantis spaceship is a globe 3000 km in diameter. But their mothership Hyperborea, hovering above the north pole, is much larger : it contains in its holds four ships the size of Atlantis. It is understandable that such a mass can unbalance the earth. This is what happened.<\/p>\n The wolf Fenrir is Atlas, or Atl-ase, head of the gods Ases, and leader of the Clan of the Wolf<\/a>. And Atlas-Fenrir moved the axis of the world Yggdrasil. Now everything becomes clearer.<\/p>\n <\/p>\n <\/p>\n This same scholarly reader, Alain Aillet, see above, tells me this: it is not at all certain that Yggdrasil is an ash tree, nor any other tree.<\/p>\n And he suggests a translation error:\u00a0\u00a0<\/p>\n Here is what I submit to your saga (quoted…): it is again about radius, space travel, spacecraft. Odin, son of Bor and the giant Recruited, is able to travel on or in a frightening means of transport that emits or uses rays and is located on the side of the pole (the aspect ‘bor’\u00e9al), and Yggdrasil or Sleipnir are representations of this cosmic ray, this link between earth and sky.<\/p>\n And I try a big split that was whispered to me by a fairy: in Arabic, prophet translates as RasSul, phonetic neighbor of Drosull (etymology of Yggdrasil), which is not a coincidence, since it does not exist…<\/p>\n Rassul carries within him the idea of the ray and the journey, the so-called ‘prophets’ are spacecraft, which you already thought. So, the fairy suggested to me, why not look on the side of an ortho-focused earth that communicated with the sky via rays at the poles whose remains we still admire with these so-called northern or southern lights. About austral, I am sharing with you a translation find:<\/p>\n aus.europa.eu in German means ‘who emits rays’! (source) Alain Aillet<\/p>\n <\/p>\n \nCompletely agree, dear Alain. A clarification: just above the pole was a huge mothership, Hyperborea, also called Walhalla or Wal-allah, or Asgaard, the heavenly land of the gods Ases — Hyperborea has a host of names according to countries and eras! It is Plato who names it thus. In Greek, hyper borea means ‘above the North Pole’.\u00a0<\/p>\n It could be a sudden movement of Hyperborea, its departure for example, which would have caused an imbalance of the planet. The myth of Atlas, who commanded Atlantis, tells us how his son Phaeton caused the trajectory of this large flying (and floating!!) machine to deviate, risking great damage not only to the machine, but also to our planet…<\/p>\n Let\u2019s look for the hidden facts in myths.<\/strong> <\/p>\n\nDisorder<\/h4>\n
\nLight Years<\/h4>\n
Osiris<\/h2>\n
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<\/p>\nTerrifying Horse<\/h4>\n
\u00a0<\/h2>\n
Alain Aillet Sayings<\/h2>\n
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<\/p>\nAillet Adds<\/h4>\n
\nHancock Adds<\/h4>\n
\nDoes that surprise you? Yes I am an astral traveler<\/a>. I love going here or there in the distant past to check my hypotheses<\/a>. I should say my visions. Yes, I am also psychic, and visionary.<\/p>\n![\"\"](\"https:\/\/eden-saga.com\/wp-content\/uploads\/chichen-itza-bas-reliefs-pr-yggdrasil-26sx-1600x960-1.jpg\")
The beardless faces on these bas-reliefs are in no way European. They are Indios from Latin America.<\/span><\/h5>\nIndios<\/h4>\n
\nThey did not represent the true builders of the American pyramids.<\/strong><\/p>\n
\nJust as the gigantic heads of the Olmec country<\/a> <\/strong>show.<\/p>\nBlack Saga<\/h2>\n
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<\/a><\/li>\n![\"codex-maya-tete-olmeque-688po\"](\"https:\/\/eden-saga.com\/wp-content\/uploads\/codex-maya-tete-olmeque-688po.jpg\" "\\"Cabeza")
Gigantic Olmec Head<\/span><\/h5>\nDeluge and Lightning<\/h4>\n
Gods of Thunder<\/h2>\n
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Chak, Telchak or Tlaloc, Toltec God of Thunder<\/span><\/h5>\nThe Immutable Order<\/h4>\n
\nThe Permanent Disorder<\/h4>\n
Facts<\/h4>\n
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<\/p>\nTranslation Error?<\/h4>\n
\nWhen one has the chance to know the facts,<\/strong>
\nthe myths become easy to decipher.\u00a0<\/strong><\/p>\nAtlantis<\/h2>\n
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