The Sign Of Tetramorph

It is possible that you have never heard of Tetramorph. This is probably the case if you are not a Christian theology doctor or a prominent member of Ezekiel fan club. The Tetramorph represents four winged beings pulling the chariot of Ezekiel’s vision.Ez 1; 1-14

A Loan From the Hebrews

The Tetramorph, the four living beings, was “borrowed” from the Hebrews to be found in the Apocalypse of St John.Apoc 4; 7-8. Later, once the loan was digested, the Fathers of the Church saw in it the emblem of the four Evangelists: the lion for Mark, the bull for Luke, the angel for Matthew and the eagle for John. They often accompany the representations of Christ in majesty. Maisd is a recupe, like many texts and images of the religion of Jesus invented it.

The angel is Matthew: his gospel begins with the genealogy of Jesus.
The lion is Mark: at the beginning of his gospel, John the Baptist cries in the desert.
The bull is Luke: His gospel begins with Zechariah who offers a sacrifice to God, but in the traditional bestiary, the bull is a sign of sacrifice.
The eagle is John: his gospel begins with the celestial mystery. (source)Wikipedia

For me, there were four pre-Christian evangelists, black giants whom I call:

Four Pillars of Eden

Bottle to the Sea

The question I ask myself is this: are these four living beings symbolic? Question that leads to another one: are they really of Hebrew origin? Or, like most Hebrew symbols, are they the recycling of an older concept? From the Old Religion, for example?

As a symbol, they are found in pre-Christian medieval imagery, I mean before the invention of Jesus. I’m thinking of the Tarot de Marseille. This game of money was played in the gambling dens of the underworld: powerful images and very valuable life lessons. A bottle in the sea that initiates have thrown into bistros such as . Nothing Christian about the mysteries of the Tarot of Marseille.

Of course, one meets the Pope, a Christian personality, but there is also the Papess, who has nothing Orthodox. As I have explained in several articles, the Tarot is initiatic, but the initiation it provides is pre-Christian; it comes from the science of the Druids, the cult of Isis, and the supermen of Hyperborea.

Tarot of Marseilles

Dragon, giganotosaurus, human

New Christianity

Christianity is a very ancient philosophy, religion, and wisdom, dating back to before the invention of Jesus by Thomas Aquinas at the turn of the Middle Ages — which also did not exist.

The Tetramorph is therefore the umpteenth borrowing that Jesus’ new religion made from the religions and wisdoms that preceded it. Why should we be surprised?

The practice is universal, eternal. Without our ancestors, where would we be? Each of us builds our faith of the day on old beliefs that we no longer have. We constantly make new things with old ones.

Let us forget the recent invention of the evangelists, and seek together what else can correspond to the four beings, the Angel (or Man), the Eagle, the Lion and the Bull.

The last two refer to the astrological eras of Leo (-10,000 to -8,000) and Taurus (-4,000 to -2,000), or rather of Taure, that is, the Cow. I said of the Taure, I could have written it from the Hathor.

As for the first two beings, the Angel and the Eagle, non-existent astrological eras, they must refer to something else.

The Eagle is the most powerful shuttlecock today. Undoubtedly, it represents the most terrible predator, which fed on human flesh: the Dragon. There were many varieties, all capable of flying. Our “scientists” call them Spinosaurus, Tyronosaurus Rex, Giganotosaurus…

The angel is the flying man. The giant of yore in his flying machine.

Ezekiel

Ezekiel’s vision is of a world from which we know nothing. The biblical prophet knew little more than our current scholars. He was said to have seen a large wheel spinning in the sky, with a small wheel rotating at the center of the wheel.

Ezechiel describes the approach of a large spaceship, with single-seat craft springing out from it. Single-seat? That’s quickly said. The flying machines are the size of a small helicopter, they are capable of hovering, and are configured in a very strange way: “Each had four faces and each had four wings (…) their hooves were like ox hooves” (Ez 1, 6-7). “As for the likeness of their faces, they had the face of a man; and all four had the face of a lion on the right side; and all four had the face of an ox on the left side; and all four had the face of an eagle” (Ez 1:10).

These are four identical celestial creatures, each with four bull legs, four eagle wings, four human hands and four different faces of man, lion, bull and eagle.

No Meaning

These four creatures have their place at the foot of the throne of God’s glory. (Wikipedia) May Wikipedia please excuse me, this gibberish makes no sense. Our ignorant era neglects the fact that this world was first technological. A technology much more advanced than ours…

Thus, the sage Plato did not understand the description of a camera made by some druid in Brittany. Since technology had become non-existent in Plato’s time, his understanding of the world could not include a camera. Likewise, the author of the biblical text did not understand the technological content of Ezekiel’s vision.

The throne of the glory of God designates these two concentric wheels that turn in the sky, where I see the mother ship of the terraforming gods. And the helicopters that orbit the throne carry four passengers in their flight bubble.

Four living beings are embedded in the transparent cockpit, which gives the illusion of a single being with four faces.

So then

To each his own beliefs, and the sacred cows will be well guarded. Our ancestors ate it all. They swallowed snakes with the ease of a snake charmer. For centuries, locked up in libraries strictly protected by the Holy See, sacred texts were inaccessible. Until the invention of typography around 1440, all writings were copied by copyists. Monks, most often. They copied in their convent what the superior told them to copy, omitting and adding what he indicated to them. The control of the Catholic church has been almost total during all this time.

What was beautifully illustrated by Umberto Eco’s masterpiece, The Name of the Rose, from which JJ Annaud drew a masterpiece for the screen.